Mother Jones
By Elliot J. Gorn
Upton Sinclair knew Mother Jones. The author of the best-selling exposé of the meatpacking industry, The Jungle, even made her a character in one of his novels, a lightly fictionalized work called The Coal War, which chronicled the bloody Colorado coal strike of 1913-14: "There broke out a storm of applause which swelled into a tumult as a little woman came forward on the platform. She was wrinkled and old, dressed in black, looking like somebody's grandmother; she was, in truth, the grandmother of hundreds of thousands of miners."
Stories, Sinclair wrote, were Mother Jones' weapons, stories "about strikes she had led and speeches she had made; about interviews with presidents and governors and captains of industry; about jails and convict camps." She berated the miners for their cowardice, telling them if they were afraid to fight, then she would continue on alone. "All over the country she had roamed," Sinclair concluded, "and wherever she went, the flame of protest had leaped up in the hearts of men; her story was a veritable Odyssey of revolt."
When Sinclair wrote these words, Mother Jones was one of the most famous women in America. Articles about her regularly appeared in magazines and newspapers, and for many working Americans, she had achieved legendary, even iconic, status. Yet the woman for whom Mother Jones magazine is named is scarcely known any longer. Some might recognize her name, know something about her activism on behalf of working people, or even recall her famous war cry: "Pray for the dead, and fight like hell for the living." But few remember much about Mother Jones, who battled corporate presidents and politicians, who went to jail repeatedly for organizing workers, and who converted tens of thousands of Americans to the labor movement and the left.
As I worked on a recent biography of Mother Jones, however, I came to appreciate her significance for our own times. With dramatic speeches and street theater, she organized workers, women, and minorities, drawing public attention to their hardships and giving them a voice. Mary Jones' greatest achievement may have been creating the persona of Mother Jones. She was born Mary Harris in Cork, Ireland, in 1837. When she was barely 10 years old, she witnessed the horrors of the potato famine, which drove her family from their homeland to Toronto, Canada. Her parents established a stable, working-class household, and young Mary learned the skills of dressmaking, and also trained to be a teacher, a high ambition for an Irish immigrant woman of her day.
Wanderlust struck her in early adulthood -- she taught for a few months in Monroe, Michigan, then moved on to Chicago, and another few months later to Memphis, Tennessee. There, on the eve of the Civil War, she met and married George Jones, a skilled foundry worker and a member of the International Iron Molders Union. They had four children together. In 1867 a yellow fever epidemic struck Memphis, killing George and their four children. Now a 30-year-old widow, Jones returned to Chicago and dressmaking, where her tiny shop was burned out in the great fire of 1871. For the next quarter century, she worked in obscurity. As the new 20th century approached, Mary Jones was an aging, poor, widowed Irish immigrant, nearly as dispossessed as an American could be. She had survived plague, famine, and fire, only to confront a lonely old age.
But then she invented Mother Jones. Or, to put it more precisely, she began to play a role that she and her followers made up as they went along. By 1900, no one called her Mary, but always Mother; she wore antique black dresses in public, and she began exaggerating her age.
The new role freed Mary Jones. Most American women of that era led quiet, homebound lives devoted to their families. Women, especially elderly ones, were not supposed to have opinions; if they had them, they were not to voice them publicly -- and certainly not in the fiery tones of a street orator.
Yet by casting herself as the mother of downtrodden people everywhere, Mary Jones went where she pleased, spoke out on the great issues of her day, and did so with sharp irreverence (she referred to John D. Rockefeller as "Oily John" and Governor William Glasscock of West Virginia as "Crystal Peter"). Paradoxically, by embracing the very role of family matriarch that restricted most women, Mother Jones shattered the limits that confined her.